A Night In The Show next previous
A Night in the Show Clippings 35/54
New York Tribune, February 23, 1919.
A Night in the Show Scenes
& Rialto, electric sign, New York
(...) Moving Picture World, May 12, 1917
& Rialto, exterior by day, New York, undated
& Rialto, exterior by night, New York
(...) Moving Picture World, Oct. 20, 1917
„A permanent value“
Advertisement. „Rialto Rivoli
B‘dway at 42nd. Direction Hugo Riesenfeld
Chaplin Revival
Rialto-Rivoli Comedy Classics. These theatres will
from time to time present gems among the best pictures of the
past, believing that good pictures have a permanent value.
The first is Charles Chaplin in A Night in the Show, at the Rialto beginning Sunday.“
Rialto Beginning to-day 1 P. M. Rivoli
Dr. L. S. Sugden
Lecturing Prisma‘s Alaskan Revelations.
Charles Ray
in Paramount‘s The Girl Dodger
Charles Chaplin
in A Night at the Show.
Pauline Frederick
in Paramount‘s
,Paid in Full‘
From Eugene Walter‘s Play.
,Kiddies‘ – A Prizma
in Natural Colors.“
Hugo Riesenfeld, Music and Motion Pictures,
The American Academy of Political and Social Science,
Philadelphia 1926:
„The dignity that has been achieved by the motion
picture industry from a musical standpoint is indicated by the
important musicians who have entered the field.“
Anzeige. „Rialto-Rivoli. Broadway, 42nd Street.
Direktion Hugo Riesenfeld. Chaplin Revival.
Rialto-Rivoli Comedy Klassiker. Diese Theater werden
von Zeit zu Zeit ausgesuchte Perlen aus den besten Filmen
der Vergangenheit präsentieren in der Meinung, dass
gute Filme einen permanenten Wert haben. Den Anfang macht
Charles Chaplin in A Night at the Show, mit dem das
Rialto am Sonntag beginnt.
Rialto-Rivoli. Beginn heute 13 Uhr.
Dr. L. S. Sugden
Vortrag Prisma alaskischer Enthüllungen.
Charles Ray
in Paramounts The Girl Dodger.
Charles Chaplin
in A Night at the Show.
Pauline Frederick
in Paramounts Paid in Full nach Eugene Walters Stück.
Kiddies – ein Prisma
in Naturfarben.“
A Night In The Show next previous
