A Night In The Show next previous
A Night in the Show Clippings 39/54
Moving Picture World, New York, March 1, 1919.
A Night in the Show Scenes
& McVickers Theatre, exterior by day,
Chicago, undated, detail
& McVickers, exterior by night, marquee Max Linder
in „Max Comes Across,“ Chicago
(...) Moving Picture World, March 17, 1917
& Foyer advance exploitation at its best,
a well composed and artistically lighted display
used by the Pantheon theatre,
Chicago, in behalf of „The Mark of Zorro.“
(...) Photo, Exhibitors Herald, Feb. 26, 1921
Pantheon Theatre, Sheridan Road at Wilson Avenue, Chicago.
& Postpone Chaplin Reissues.
Essanay has postponed the release of its four Chaplin pictures
for two weeks, the first being released March 1, instead
of February 15, as originally planned. The first issue will be
A Night in the Show, instead of Shanghaied, as first
intended, and will be followed by The Bank, Police and
Shanghaied, each two weeks apart.
(...) Moving Picture World, March 1, 1919
& Chaplin Reissues in Big Demand.
Essanay reports that the demand for the revivified Chaplin
comedies is increasing daily, booking coming in so
rapidly that extra prints are being made to accommodate the
exhibitors. This is partly due to the phenomenal run
the first picture, „A Night in the Show,“ had in first-run houses,
many theatres featuring this picture, which had never
run a reissue before.
The results have proven that the public likes Chaplin
as much as ever. The picture proved even more
of a box office attraction than anticipated, such houses as the
Rialto in New York and the Pantheon in Chicago
being crowded to the doors, with scores waiting a chance
to get in.
(...) Moving Picture World, March 19, 1919
„Proving even more popular than at their debut“
Editorial content. „Big Bookings for Essanay Chaplins.
That the prominent exhibitors are treating the new editions
of the Essanay Chaplins with all the honors of most
important current productions is revealed in further reports
from General Film Company exchanges. These
Charlie Chaplin comedy classics, which have never grown
old in the several years since they were produced,
once more on the market in brand new prints through the
George Kleine distribution, are proving even more
popular than at their debut.
Besides the Broadway bookings in New York,
General and George Kleine representatives report the following
recent conspicuous bookings: Chicago: For a week´s
run at the McVickers Theatre or Rialto, and a two or three
days‘ engagement at the Randolph or Orpheum.
Washington: The Criterion for a week, and a second run
at the Empress. Buffalo: Shea‘s Hippodrome three
days. This house contracted at a price for three days as large
as it paid for the same subjects for a week in 1915.
Providence, R. I. and Rochester, N. Y.: Fay‘s theatres.
The contracts relate to the Big Four Chaplin
releases, which include Shanghaied, A Night in the Show,
Police and The Bank.“
McVickers, 25 West Madison, Chicago.
Redaktioneller Inhalt
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