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The Floorwalker Clippings 28/84

Variety, New York, March 10, 1916.

American Studio (photographer), Palace Theatre, exterior

by day, New York, 1920, detail


„Called at her dressing room after the Monday night occurrence“

Editorial content. „SCRAPPY PALACE BILL.

      The usual brotherly-sisterly atmosphere was entirely absent

from the Palace stage gathering this week, the dove

of sublime peace having exited via the private elevator as the

trio of current headliners were ushered in to occupy

the incandescents.

      The simultaneous booking of Franklin and Green, Maurice

and Walton and the Dolly Sisters (heldover) precipitated

a miniature battle when the fact became public and according

to report the Palace management was visited daily last

week by emissaries of the two new headliners who came in quest

of information as to how their clients were to be treated

in the matter of billing.

      Monday night a catastrophe was narrowly averted when Miss Walton, after completing a series of bows, approached

the footlights and informally introduced Charlie Chaplin to the

audience, the screen comic occupying a seat in a stage

box. It was understood this little by-play had been arranged

in advance and a number of ,rail birds‘ were perched

in the rear of of the orchestra  to note the effect. Immediately

following the announcement of Chaplin‘s presence,

the lights were flashed for Franklin and Green, and what was

expected to result by many a disastrous torrent of

applause simmered down in a series of neck bends until

the excitement had subsided. The gallery, however,

emphasized their exceptions to the new Franklin-Green opening

and broke up the dialog in several spots with ,cliqued‘

applause, although this was a natural interruption and not

premeditated as claimed by some.

      Miss Franklin claims Mr. Chaplin called at her dressing room

after the Monday night occurrence and expressed his

regret through having been made a victim of the Maurice-Walton

scheme. Miss Franklin also charged the Maurice-Walton

combination had ,planted‘ a chorus boy clique in the gallery for

each performance, and although Miss Franklin refrained

from any accusation, it appears Maurice and Walton insisted

that they appear on the program ahead of Miss Franklin.

Accordingly the second part of the show was opened by the

dancers with the singer immediately following.

      The Dolly Sisters closed the first part, and when the

opposition did their their turns the Dollys were

usually in the wings to catch any stray remarks. Some of

Miss Franklin‘s brief speeches during her entrance

through the audience (where she did the same bit of business

with Will Philbrick she had done in Hands Up) might

have been improperly construed by Maurice and Walton had

they deemed fit to look for trouble from that direction:“


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