One A. M. Clippings 10/56
New York Herald, New York, August 6, 1916.
One A. M. Scenes
& Cinema Tycoon and Radio Man „Roxy“ – S. L. Rothafel –
at the Capitol Theatre, New York, undated
After World War One Rothapfel calls himself Rothafel.
& Rialto Theatre, exterior by night, marquee
Douglas Fairbanks In Rialto First Anniversary Program, New York
(...) Motography, May 26, 1917
& Rialto, exterior by night, marquee Norma Talmadge De Luxe Anni Katzenjammer Kids, New York
(...) Moving Picture World, June 15, 1918
& Rialto Theatre, auditorium with balcony and Rialto Colonnade,
a permanent decoration employed
in lieu of the customary stage, New York
(...) Motion Picture, July 1919
& The beautiful stageless stage with Rialto‘s
symphony orchestra, New York
(...) Motion Picture News, May 6, 1916
& After a special showing to S. L.
Rothapfel, managing-director of the Rialto, of the Mutual-Chaplin picture, „1 A. M.,“ on Saturday, Rothapfel decided
that the offering in its entirety would not come up to his standard
for a comedy, and that he would pick about 500 feet
of the picture for the showing at his house this week. The picture
is a two-reeler, running about 1,800 feet.
(...) Variety, Aug. 11, 1916
& The Rialto programme for next week will include Bessie
Love and Wilfred Lucas, in „Hell to Pay.“
An added attraction will be the new Keystone comedy,
„Laundry Liz,“ and commencing
Monday Charlie Chaplin will be shown in „One A. M.“
(...) Brooklyn Life, New York, Aug. 5, 1916
& „Hell to Pay Austin“ at the Rialto.
The Rialto offered Bessie Love and Wilfred Lucas
in „Hell to Pay Austin,“ a Triangle photoplay from
the pen of Mary H. O‘Connor, who has combined a man‘s
„punch“ and a woman‘s tender appreciation of charm
in a story of frontier life. As a special added attraction „Charlie“
Chaplin appeared upon the screen, commencing Monday,
in his latest comedy creation, „One A. M.“
The regular program included a Keystone comedy,
„Laundry Liz,“ with Fay Tincher in the title role.
An attractive topical and scientific weekly, and the third section
of Dr. Leonard S. Sugden‘s motion pictures of Alaska,
were also shown.
Vocal artists from the operatic field predominated in the
musical section, and included Lucille
Arnold, M. Desere De Frere and Hardy Williamson.
(...) At Leading Picture Theaters Programs
for the Week of August 6 at New York‘s Best Motion Picture Houses,
Moving Picture World, Aug. 19, 1916
& Rialto (...) Bessie Love & Wilfred Lucas in „Hell to Pay.“ Orchestra, Soloists and Charlie Chaplin in „1 A. M.“
(...) New York Tribune, Aug. 7, 1916
„Commencing Mon. Charlie Chaplin in 1 A. M.“
Advertisement. „Rialto“ (...) „Bessie Love & Wilfred Lucas
in Hell to Pay. New Keystone Comedy, Laundry
Liz, & Commencing Mon. Charlie Chaplin in 1 A. M.“
Rialto, Broadway & 42nd Street, New York.
One A. M. is released by Mutual August 7, 1916.
Anzeige
