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One A. M. Clippings 2/56

Arthur E. Curtis, Motography, Chicago, July 22, 1916.

Repeat of Chaplin‘s, „The Floorwalker.“ (This Snap Taken

in Front of Strand Theatre, Salina, Kan.,

which Announced Second Showing of the Comedy)

(...) Photo, Motion Picture News, Aug. 11, 1917

& LAUGH

with Charley Chaplin Tomorrow

He will be at the STRAND Theatre

– In –

„ONE A. M.“

The funniest comedy he has been in yet.

Two reels of fun making, with no one but Chaplin

in the entire production.

Come out and get your sides split. It will be the best hot

weather tonic you have had this summer.

(...) Salina Evening Journal, Salina, Kansas, Aug. 15, 1916


„Before seven a. m. Charlie is in his bath“

Editorial content. „Just What Kind of a Fellow is Charlie?

      Some Through-The-Keyhole Close-Ups of the

      World‘s Greatest Chuckle-Maker

      By Arthur E. Curtis

      THE meanderings of Charlie Chaplin‘s shuffling footsteps

in the sands of time are going to spell ,The world‘s greatest comedian.‘“ (...)

      „Before seven a. m. Charlie is in his bath. This over with,

he places himself in the hands of his barber, sits down

to his breakfast, spends a half hour with the morning papers

and then a chiropodist shakes hands with Charlie‘s

feet.“ (...)

      „He reaches the studio every morning, when he is working,

which is practically every day of the year, at ten o‘clock.

Once in the studio, Chaplin confers with his studio manager,

members of his company and other officials, and then

doffs his street clothes for his make-up.

      In the studio Chaplin is a great worker; he directs as well

as acts. Every set, regardless of its size, is placed

under his personal direction. He is an expert in lighting effects.

He sees to it that everything is in proper shape before

starting work.

      This completed, he summons his company and rehearses

the scenes about to be staged.

      Chaplin works at the studio anywhere from eight to ten hours, depending on the importance of the production. In many

respects, Chaplin is a hard taskmaster. He is a great believer

in details and sees to it that every member of his

company from himself all the way down the line to the ,extras‘

do their parts and do them well. His work over, the

comedian is the personification of kindness. His day at the

studio generally ends about four o‘clock. A half hour

later, in street clothes, Chaplin enters a little private office and

lays out the routine for the following day.

      Then he goes for a short spin in his car, generally with his

studio manager or some other intimate, and winds up

at the Los Angeles Athletic Club, where he is domiciled during

his stay in Los Angeles. Until time to dine, Chaplin

lounges about the corridors talking with friends or reading

the afternoon papers. Dinners over, Chaplin goes

immediately to his room, where he dons his ,gym‘ suit and

proceeds to the club‘s gymnasium. Here he spends

an hour each evening, boxing, wrestling, tussling with the weight

machines and bag punching, followed by a plunge

in the pool.

      Chaplin devotes almost two hours every night to his

correspondence and personal business affairs

he must care of, aside from those handled by one of his

secretaries. Ten o‘clock finds him ready for bed.

His valet prepares his bath again and after a cold shower,

Chaplin ducks in between the sheets. Within

the space of a very few minutes he is fast asleep.    

      Chaplin does not smoke nor drink.“ (...)

      „His chief hobby, however, is found in his violin.“ (...)

      Ten photos.


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