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The Great Dictator Clippings 115/369

Robert Van Gelder, New York Times Magazine, Sept. 8, 1940.

Director as well as star – Chaplin supervising the filming

of „The Great Dictator.“ Photos Museum of Modern Art Film Library, Culver, Times Wide World and United Artists.

1936 – „Modern Times.“ 1940 – „The Great Dictator.“

1922 – „The Pilgrim.“ Abbe.

(...) New York Times Magazine, Sept. 8, 1940


„That lilt, that swing. Beautiful“

Editorial content. „Charlie Chaplin Draws A Keen Weapon

      ,What is more effective?‘ he says of his new picture,

      ,than to laugh at these fellows who are kicking humanity

      around?‘

      By Robert Van Gelder

                                                            HOLLYWOOD.

      TO the fanfare of a seventy-five-piece orchestra, the

rather dim screen at the south end of a Charles

Chaplin Studio sound stage showed ,Charles Chaplin

Presents. ... The Great Dictator. ... Written and

Produced by Charles Chaplin. ... The Cast. ... Charles

Chaplin, Jack Oakie, Paulette Goddard. ...‘

      Charles Chaplin rubbed his stomach enthusiastically

and purred. He swayed to the music. ,That lilt,

that swing. Beautiful. It always gets me.‘ He smiled his bright

smile. When the smile is directed at you it doesn‘t

seem automatic. It seems friendly, slightly, self-deprecatory,

and utterly confidential. When you sit to one side

and watch it bestowed upon some one else the lips look

mechanically creased, and the eyes seem absent,

almost unseeing. The smile is a masterpiece made for one

person at a time.

      The Great Dictator was in the final stage of its making;

the music was being dubbed in.“ (...)

      „He had come onto the sound stage at 10 o‘clock in the

morning and it was perhaps significant that at that

hour his aides had been decidedly hard to please in respect

to the sound dubbing. In every take the brass was

too loud, or the fiddles came in too late, or the pause before

the bugles was not sufficiently pronounced. ,But

I like it,‘ Chaplin had argued over and over again. ,Aren‘t

you being academic? I liked it. It was stirring.‘

      Along about noon all this had changed. His aides were

much better satisfied and Chaplin much less so.

,Not enough emotion. You‘d better do it again,‘ Chaplin

would say. ,There wasn‘t enough wail in the

brasses when those newspaper headlines came up.‘

      ,About 5 in the afternoon, when the others

are exhausted,‘ whispered one of his employes, ,he‘ll be right

up beside Meredith Willson, the composer and

conductor, swinging a baton.‘“ (...)     

      Robert Van Gelder in the 1940 Census

      27, male, white, American, single

      residence

      Assembly District 16, Brooklyn, NYC

      relationship to head of household

      son

          

Redaktioneller Inhalt


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