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Charles Darnton, Hollywood, New York, August 1940.

From the Hollywood baseball park,

Charlie Chaplin tips his own sombrero to the girls

(...) Photo, Photoplay, Aug. 1940

& Getting tall is Shirley. Here she is shown with Jack

Oakie and Charlotte Greenwood in a scene from Young People.

Oakie also is in Charlie Chaplin‘s The Dictator

in which he plays one Benzino Gasolini, and sticks his chin

out like guess who?

(...) Photo, Hollywood, July 1940

& Setting Chaplin‘s Selling

      Lynn Farnol, United Artists pub-ad chief, planed for the

Coast last night (Tuesday) to confab with Charles

Chaplin on final stages of the campaign on „The Great

Dictator“ prior to its release. Farnol will be west

about a week. Murray Silverstone, UA head, Harry Gold,

eastern sales manager, and Jack Schlaifer,

western s.m., will ly out to huddle with Chaplin on exhibition

policy as soon as he is finished scoring and cutting

the film. It‘s expected that may be the end of this week.

      Plan announced by Silverstone a couple

of weeks ago of having Al Margolies, publicity head Monroe

Greenthal, exploitation director, and other execs

also fly out for chinning with Chaplin has apparently been

abandoned.

(...) Variety, Aug. 28, 1940


„His timing was wonderful“

Editorial content. „Inside Report on The Dictator

      Jack Oakie who burlesques a dictator in Charlie Chaplin‘s

      film, discusses the comedy

      By Charles Darnton

      For several years Charlie Chaplin has been feverishly

at work upon the most daring motion picture thus far ventured

in a hair-trigger era.“ (...)

      „I‘d just got back from Europe when Charlie called

me on the phone and said, ,Jack, how would you like to play Mussolini?‘ I thought he was kidding. ,No, I mean it,‘

he said. ,If you haven‘t anything better to do, come over and

see me.‘ When I got to his studio, all out of breath, Charlie

saluted me, and I played the old army game right back at him.

Then I stood at attention in headquarters. ,Sit down,‘

said Charlie. I‘d no sooner parked myself in the nearest

chair – the old legs were wobbly – than he said,

,Stand up.‘ He ran his eyes over me and barked, ,You‘ve

gone thin on me!‘

      Signor Oakie buttoned his coat and tried his best

to look shriveled.

      ,You see, I‘d lost sixty-two pounds on my European trip.

I shedding them, it had never occurred to me that

I might be throwing away the chance of a lifetime. I almost

broke down and cried. ,Never mind,‘ said Charlie,

,go and put the clothes on for him.‘ When I came back

in uniform, wearing my own hair under a military

cap, he took one squint at me and shouted, ,Holy macaroni,

you look just like him.‘ This was such a relief to me

that I threw my arms around him and hugged him. Breaking

the clinch, he said, ,Stick your chin out.‘ I gave him

all the lip I had. ,That does it,‘ he decided. But, delighted

as I was, I couldn‘t help feeling he ought to have

an Italian for the part. ,What do I want a wop to play it for?‘

he asked. Then he inquired, ,What‘s your nationality?‘

,Scotch-Irish,‘ I told him. ,Perfect!‘ he laughed.‘

      It was all set, even without a test. For that matter, Oakie

was sure no one had been tested for the part. It was

simply dropped into his lap, a ripe plum that hadn‘t waited

for the picking.

      ,There‘s only one thing you need to do to play Benzino

Gasolini to my Adenoids Hinkle,‘ Charlie told me,

,and that‘s to fatten up. It won‘t take you long.‘ He seemed

to think to think I had a natural talent for getting fat,

while all I thought of was getting a fat part. Anyhow, I didn‘t

lose any time. That night I went to an Italian restaurant

for dinner and told the chef to spread the oil. When I weighed

in for the picture, Chaplin insisted on my having two

desserts for lunch every day. ,Just remember to stick out

your chin, and leave the rest to nature,‘ was the way

he put it. ,And don‘t play to me, be just as you would with

any other comic.‘‘

      As to whether there were more than the two recognizable

figures, Hynkle and Gasolini, in the picture, was

learned: ,There are five or six principals, including Goring

and Goebbels, under other names. But Stalin isn‘t

one of them. He has such a dead pan that it would be

impossible to burlesque him. Paulette Goddard

plays Hitler‘s girl, and I have a wife. Out of consideration

for Chaplin, I don‘t want to give away the secrets

of the plot, but Hitler (he kept getting back to real names)

is a little envious of Mussolini.‘“ (...)

      „Just here, Jack Oakie was not his usual bantering self.

For once, he had turned serious. And earnestness marked his

further words:

      ,Working with Chaplin convinced me beyond any

personal doubt that he was a genius. There‘s no one in

Hollywood like him. In the four months I was in the

picture I learned more about acting than I had during all

the years I‘d put in at it. Without my even realizing

it at first, he started right in making me over. In the nine years

I‘d been carrying that old football for Paramount

the one thing hammered into me was speed. Everything

I did had to be quick stuff, the fly guy who was too

fast for anybody to catch up with him. Chaplin changed all

that. He would stop me in a scene and suggest

my doing it in another way. At the moment I didn‘t understand

what he was after. But it was clear enough when

I saw it on the screen in the projection room. A glance

showed me how he got his effects. Then he would

say, ,All you have to do, Jack, is to take your time. If, for

example, you‘re soaking a guy over the head with

a mallet don‘t do it bing, bing. bing, but bing –– bing –– bing.

That gives the audience time to laugh between each

sock.‘ His timing was wonderful.“ (...)

     The Great Dictator world premiere is in New York Oct. 15, 1940

      at the Capitol and Astor Theatres.

      Capitol Theatre, 1645 Broadway (at 51st Street), New York. 

      Astor Theatre, 1531 Broadway (at 45th Street), New York.


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