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A Night in the Show Clippings 21/54
Motography, Chicago, November 20, 1915.
A Night in the Show Scenes
& Chaplin a Genius?
London, September 15. – In a serious, scholarly, psychological analysis of Charlie Chaplin, an English writer brands
„Charlie of the Movies“ a „highly emotional actor; not a clown,
but an artist; not a comedian, but a genius.
(...) Tacoma Times, Tacoma, Washington, Sept. 15, 1915
& AN APPEAL FOR FAIR PLAY
Because of letters of protest received from numerous
exhibitors who secured from so-called film exchanges
the conglomerations entitled Charles Chaplin in „The Mix-Up,“
Ambition“ and „The Review,“ Mr. Chaplin again wishes
to warn the public in general, in the exhibitors in particular, that
neither he nor the Essanay company is responsible
for these patched-up films. (...)
Essanay
(...) Moving Picture World, Nov. 20, 1915
& Earn $35 to $500 Weekly
in VAUDEVILLE (...)
National Vaudeville Institute (...) Chicago
(...) Motion Picture, Dec. 1915
„With ice cream and tomatoes“
Editorial content. „A Night in the Show – (Two Reels) –
Essanay – November 15. – Featuring Charles Chaplin, who
attends a show in a double role, that of a ,swell´ in evening
clothes in the dress circle and a rowdy in the gallery. His seat
in the second row doesn‘t satisfy him and he moves
to the front, where the orchestra leader strikes him with his
baton and a free-for-all fight is started. He is hurled into
the lobby where he bumps into a fat woman and knocks her into
a fountain. Later while sitting in a box he falls asleep and
several snakes from the ,charmer‘s‘ basket nest in his lap. In the
gallery Chaplin, the rowdy, bombards a couple of singers with
ice cream and tomatoes. Chaplin in the box, with the assistance
of a fat boy, besmirches the singers with cakes. When the
fire eater makes his appearance, Chaplin, the rowdy, turns the
hose on him, while Chaplin the ,swell‘ gets a ducking,
as does most of the audience, which breaks up the show.“
One photo. A Night in the Show Scene
Redaktioneller Inhalt
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