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Making a Living Clippings 4/24

Burlington Daily News. Burlington, Vermont, February 2, 1914.

Frederick Shader („Fred“)

(...) Photo, Variety, Dec. 10, 1910

& The LeRoy collection was acquired through the courtesy

of Mrs. LeRoy, widow of Jean A. LeRoy, American

film pioneer, who assembled the collection during a long period

of years. Foremost in interest in the collection

are negatives and prints of the famous „trick“ films of the

Frenchman Georges Méliès, whose „highly original 

and imaginative productions from 1896 onward marked

the transition from the earliest foreign motion

pictures of scenic views or simple action to the story-telling era,“

according to the Museum. (...) Other notable

old films in the LeRoy collection are (...) early comedies

and melodramas.

(...) Bara to Mickey In Film Collection

The Museum of Modern Art Film Library has acquired

three additional groups of films,

Motion Picture Herald, Dec. 7, 1935

& B. F. KEITH‘S ORPHEUM

THEATRE recently exhibited a picture that was

unusual from several angles. (...)

One shot down is a test shot made at the old Keystone

Studio in 1913, and offers several scenes

by Charlie Chaplin, then practically unknown, making

a test for the company that was

to start him on the road to fame and fortune.

(...) Brooklyn Daily Eagle, Feb. 12, 1927

& After this there was the biggest kick of the show,

and they didn‘t know how to sell it. It was the

„old motion pictures“. Incidentally at the Hip the pictures shown

give Thomas Alva Edison a direct slap for the titles

state and give credit to LeRoy Latham as responsible for giving

the screen its first motion picture. They show pictures

taken from 1893 down to a test that Kessel made of Charlie

Chaplin in 1913.                                              

(...) HIPPODROME (Vaude-Pcts), Fred (Frederick Shader),

Variety, Jan. 12, 1927

& „Ye Movies in Ye Olden Days“

      When You and I and the Movies Were Young

      (Reviewed by Paul Thompson)

DESPITE the youth of the cinema there is a pronounced

tendency to resurrect the films of the early days

of the industry so great have been the advances in so short

a time. (...)

     A test shot taken fourteen years ago at the old Keystone

studios shows the comedian who was afterwards

to become world famous, Charles Chaplin, coming down

a railroad track toward the camera with the walk

that is now known all over the world, with the same type

of shoes, moustache, derby, etc.

      P. S. – He got the job.

(...) Motion Picture News, Jan. 28, 1927

& The Keystone Company is working on a newspaper story

which was taken in the linotype room of the Los

Angeles Times. This latter paper is one of the largest dailies

in the United States, and no other company has

photographed the linotype machines and presses before.

The difficulty lies in getting the proper light in the

dark interiors.

(...) Studio and Exchange Notes,

Reel Life, Jan. 24, 1914

& FEB 2 … MONDAY.

MUTUAL – The Hermit. 2-reel dr., A.; Making

a Living, com., Key.

(...) Variety, Jan. 30, 1914

& WORLD IN MOTION (...)

2 Reels „THE HERMIT“ 2 Reels (...)

„Making a Living,“ Keystone.

(...) Burlington Daily News. Feb. 2, 1914


Making a Living, Keystone“

Advertisement. „World in Motion

      The Hermit, shown in the films today, is the story

of a brother‘s duplicity.“ (...) „Other pictures“ (...) „Making

a Living, Keystone. – Adv.“

      World in Motion Theatre, Burlington.

      Making a Living is

      released by Keystone Feb. 2, 1914.


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