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Shoulder Arms Clippings 106/246

New York Tribune, New York, November 3, 1918.

Longacre Building, East Side of Broadway North from 42nd Street,

New York, undated, postcard in color, Brown Brothers

& Charlie Chaplin

      In His Second Million Dollar Picture

      Shoulder Arms

      A muddy tragedy of trench life –“ (...)

      „A ,First National‘ Attraction

Wm. Vogel Productions, Inc.

Controlling Foreign Rights

To Charles Chaplin‘s

$1,000,000 Comedies

Longacre Building, New York

(...) Exhibitors Herald, Nov. 2, 1918


„Suddenly began to laugh“

Editorial content. „PLAYS AND PLAYERS“ (...)

      „It is a big smug to go on pining for a universal artist

as long as we have Charlie Chaplin. He is the one

strand that links the intellectuals and the masses. Mrs. Fiske

applauds him; ,The New Republic‘ analyzes him;

and our furnace man can do a very passable imitation

of him. He is Charlot for the French and Charie

Chapin to the Japanese. Powerful associates in his comedies

may set upon him, but the sun never does.

      We think it beyond debate that Mr. Chaplin has a real

spark of the fire which never dies. We know people

who do not like him, but some of them are hypocrites and

cowards. Only the other day we lunched with a man

who has two growing children and expects to be president

of a bank some day.

      ,I took Harold and Katherine here to see Charlie Chaplin

the other night,‘ he explained.

      ,How was it?‘ we asked.

      ,Simply atrocious,‘ he replied, silencing an interruption

by Harold. ,It was a piece called Shoulder Arms,‘

my friend continued. ,I have never seen anything sillier

in my life. There is one scene in which Chaplin

is camouflaged as a tree. A big fat German with an ax comes

over to cut him down and he hits the German over

the head and renders him unconscious.‘

     ,There was another German came then, wasn‘t there,

papa?‘ piped up Harold.

      ,Yes,‘ said my friend, ,another German came over to see

what had happened and Charlie laid him out, too.

Then there was another fellow and he got it good and

plenty. Charlie would just  reach over one of his

arms that looked like a branch and give him a wallop.

And finally he ran into a forest and they

chased him. The big fat Dutchman with the beard‘ –––.

      We never heard just what happened

to the big fat Dutchman with the beard because our friend,

who had become more and more excited, suddenly

began to laugh and then he choked on something, and Harold

and Katherine cried and were sent upstairs. After

some violent massage my friend came around all right.

But he did not go on. He took a drink of water

and said that no Democrat who ever lived could tell him

how he ought to vote.“

     Shoulder Arms is released

      by First National October 27, 1918.


Redaktioneller Inhalt


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