Shoulder Arms   1914   1919   next   previous


Shoulder Arms Clippings 136/246

Evening World, New York, November 21, 1918.

The Broadway.

      CHARLES CHAPLIN in His First and Last, is the way

that Maurice A. Kashin is advertising one of the

two features at the Broadway theatre this week. Now, please

note there are no quotes on the title, for there is no

effort to make this appear a new picture, for it is plainly told

that this was made up by including „The Pest,“ formerly

known as „Kids Auto Race,“ the first motion picture he made,

and „Shoulder Arms,“ his latest one. May Murray

in „The Scarlet Shadow“ is the feature.

      Now, „Shoulder Arms“ has played at the Broadway seven

weeks, first as featured, then along with a Mildred

Harris picture with the two featured as „Mr. and Mrs. Charles

Chaplin,“ and now under the present arrangement.

It is a stunt that any exhibitor who has already played

„Shoulder Arms“ can work and arouse new

interest. But we want to advise you to follow the Kashin plan

and tell the people exactly what His First and Last

is; that is not only the honest thing, but it is the way to get

the money. Read the details of how Mr. Kashin put

this combined picture on.“ (...)

      Organ music carries „Topics of the Day“ which follows

and then comes the Chaplin stunt. After the title,

„Broadway theatre presents Charles Chaplin in His First and

Last,“ there comes this foreword:

      „The successful theatrical manager‘s greatest asset

is his ability to judge public taste. It is interesting

to note how public taste has changed in the matter of motion

picture comedies. With that idea in mind I am offering

for your contemplation the first and latest comedies featuring

Charlie Chaplin. You will be forced to admit, I think,

that public taste has greatly changed. About seven years

ago you were probably one of those who split

their sides laughing at Charlie Chaplin‘s first capers

before a camera. – M. KASHIN.“

      Then comes the second title, saying, „Charlie Chaplin

was paid exactly $3.50 for his work in the film

that follows.“ Then comes „The Pest,“ and it gets a world

of laughs. It consists simply of the antics of the

comedian constantly getting in front of a motion picture

camera when the cameraman is trying to film

auto races.

      But something which adds a great deal to this is the way

that it has been put on, for before the picture starts

we have a title saying: „This is the music they played in those

days,“ and then we have the piano and drums used

in the same tin-panny effects that we were so familiar with

in the days of the old „movie show.“

      Now, before we start with the „Shoulder Arms“ part

of the picture we have a couple of other titles:

„But times have changed and so has Charlie‘s salary.

We will now present one of his million-dollar

comedies. Public taste now demands such comedies

as this, his latest production.“ And the other title.

„A Symphony orchestra now accompanies the films.“ And then

the orchestra comes in with the full measure.

      „America Today“ is used on screening: „Over There,“

with that title; with the title, „Make yourself at home,“

comes „When I send you a picture of Berlin“; „Picking Peaches,“

with the password and „Miracle of Love“ when Charlie

is shown sad. With bedtime comes „Washington Crossed the

Delaware“ and with the view of the candle on the raft,

„Sit Down, You‘re Rocking the Boat.“ With morning comes

„K-k-katy,“ then the view of the captured trench brings

„Dumpty Deedle,“ with „Duddha“ when he gets in the enemy

lines: „Eve“ as the firing squad takes its position and

then „bing, bang“ as Charlie escapes. „We‘re Going to Hang

the Kaiser“ is played as the Kaiser visits the front

and then as Charlie‘s chum is captured we have „Khaki Sammy,“

and as the German driver leaves his seat, „What‘ll

We Do with Him?“ and with the word to the Allies, „Let‘s Bury

the Hatchet.“ And the end the dream brings out „Oh.

How I Hate to Get Up in the Morning.“

      Then comes the feature, Mae Murray in „The Scarlet

Shadow.“ (...)

      Lincke‘s „Glow Worm“ is the final organ number.     

(...) Motion Picture News, March 1, 1919.

     The Pest is Kid Auto Races at Venice, Cal., but

      it isn‘t the first picture in which Chaplin

      appears, it is the first, in which he appears as tramp.

      – Seven years ago? Tin pan piano? Kid Auto

      Races at Venice, Cal. is shown with full orchestra at the

      Strand Theatre in New York four years ago.

& BROADWAY (...)

      10 A. M. to Midnight (...)

      Charlie Chaplin

      In „His First and Last“

(...) New York Tribune, Feb. 24, 1919

     Shoulder Arms Re-run.


„Mr. and Mrs. Charlie Chaplin

Advertisement. „BROADWAY“ (...)

      „Mr. and Mrs. Charlie Chaplin

      In their latest productions,

CHARLIE CHAPLIN in ,SHOULDER ARMS‘ and

MILDRED HARRIS in ,BORROWED CLOTHES.‘“

      Broadway Theatre, B‘way at 41st Street, New York.

      Shoulder Arms is released

      by First National October 27, 1918.


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