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The Great Dictator Clippings 247/369

  1. A.D., Guardian, Manchester, England, December 12,1940.

C. A. Lejeune with her son Anthony Lejeune, taken by her

husband Edward Roffe Thompson, probably in the garden of their

home in Pinner, North London, June 1, 1931

& Triple London Premiere

      For „Dictator“ Monday (...)

      Picture will play at the Prince of Wales, Gaumont Haymarket

and the Arch Pavilion.

(...) Film Daily, Dec. 12, 1940

& The Films

      By C. A. Lejeune

      PUNCHINELLO NO MORE

      In all the hullabaloo about the topical satire of Chaplin‘s

new film one fact is apt to be overlooked. It is a fact

that is as important to some of us as the film‘s politics, or its

timeliness. That is the fine, full flowering of Chaplin

as an artist. „The Great Dictator“ is uneven as a work; harsh

at some moments, sentimental at others, brilliant,

even noble, in many parts. But as an expression of the

special quality that is Chaplin‘s it stands alone.

      The ghost of every trick that Chapin has ever played

is in the Film somewhere. (...)

      My own belief is that Chaplin speaks because

he must and, because he must the act does not seem strange

or surprising. (...)

      The fitness of that last speech will exite the arguments

of filmgoers for weeks to come. The whole thesis

and timeliness of the film will be a vexed topic into which

I do not intend to intrude my opinions. I am a film

critic, and as a film critic I can simply promise you that „The

Great Dictator“ contains the wittiest, wisest, and most

cunning film-work that Chaplin has ever done. It presents

the comedian for the first time in his full stature

as an artist. He might have waited all his life for just this

one film.

(...) Observer, London, Dec. 15, 1940

     See also Observer, London, Dec. 29, 1940.

& PICTURE THEATRES (...)

      PRINCE OF WALES (...) To-morrow, U. K. Premiere

Charles Chaplin THE GREAT DICTATOR (U).

Four separate perfs Daily 10 a. m., 12.35, 3.10, 5.45.

(...) Ad, Observer, London, Dec. 15, 1940


„Our laughter freezes on our lips“

Editorial content. „,THE GREAT DICTATOR‘

      Mr. Chaplin‘s New Film Shown in London

                                                        London, Wednesday.

      It was a dazed audience which came away from

the private showing of The Great Dictator this morning, and

one which quite obviously did not know what to think.

The band had just played the beginning of the National Anthem,

and followed it up immediately with a brisk American

march by Sousa. Leicester Square outside was busily patching

its wounds. The greatest comedian in the world had just

been giving a two-hour-long impersonation of the unfunniest

man now alive, and had concluded the persevering

satire with a suddenly serious and impassioned oration,

an appeal for humanity and against tyranny, for the

human soul against the soul-destroying machines of war. This

was spoken by a little Jewish barber whom the crowd

had mistaken for its dictator.

      No wonder we were and remain more than a little

dazed! Mr. Chaplin is quite obviously sincere

in his final eloquence. He is white with sincerity. He has

dropped all his cajolery and fun, and speaks like

a man inspired by indignation, not at all like a great little

comedian winding up his own film.“ (...)

      „Some of the fooling is, of course, inspired. There

is a brilliant scene in which Charlie, the old Charlie

for five minutes, eats pudding with five Jews and hopes not

to find in it a coin which will send him on a perilous

task. There is one flash of comical disgust when Chaplin, back

in that dictatorial uniform, realises that the baby

he has just dandled has been overresponsive. There is an

enchanting minute or two when Charlie shaves

a customer to a familiar Hungarian dance of Brahms. These

things are funny, and it is a great relief to laugh at

them and to hear the warm laughter they evoke. But almost

everywhere else our laughter freezes on our lips.     A. D.“

    The U. K. premiere of The Great Dictator is

      Dec. 16, 1940 at the Prince of Wales Theatre in London.

      Prince of Wales Theatre, Coventry Street, London.

      It‘s the central London run of the film, concurrent with the

      Gaumont Haymarket and the Marble Arch Pavilion.

      Gaumont Theatre, Kilburn High Road, London.

      Marble Arch Pavilion, Piccadilly Circus, London.


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