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The Great Dictator Clippings 84/369

L. O. P., Philadelphia Inquirer, Philadelphia, Pa., July 19, 1940.

His New Job Scene, Ben Turpin, Charlie Chaplin

& Veterans of Movies Pay

      Turpin Final Tributes

      BEVERLY HILLS, Cal., July 2 (AP) – Veterans of the

custard pie days of silent pictures gathered in a Catholic church

Wednesday to pay a last tribute to one of the greatest

of them all – Ben Turpin, who turned an affliction into a fortune.

      Ben Turpin, whose cockeyed comedy made him

a star in the long ago days of Keystone Kops and bathing

beauties and slapstick fun, died suddenly early

Monday. (...)

      The largest floral piece was a seven-foot spray

of red roses, from Charlie Chaplin. Ben made

his debut in a half-reel picture starring Chaplin a quarter

of a century ago.

(...) AP, Salt Lake Tribune, Salt Lake City,

Utah, July 4, 1940

      AP, Associated Press.

& Fellow workers at the Charlie Chaplin studios,

right up to the great comedian himself, are amazed

at Meredith Willson‘s industry. He‘s now in the

final stages of his music chore for the Chaplin film „The Great

Dictator.“ Willson has been spending all week ends,

as well as evenings, on the job despite Chaplin‘s pleas

to „take it easy.“ „How can I“ asked Meredith.

„After 10 years in radio, doing two to five shows a week?“ 

(...) Belvidere Daily Republican, Belvidere,

Illinois, Aug. 23, 1940

& 9,000 Acclaim Oscar Levant

      in Fair Concert

      Music From Chaplin Film Presented

      by Meredith Willson

      By Alexander Fried (...)

      DOUBLES HONOR.

      Conductor of the evening was another young American,

Meredith Willson. He doubled his honors by presenting

his own Prelude to Charlie Chaplin‘s film, The Great Dictator,

and his own Symphony No. 2.

      True, the program called Chaplin composer of the former

piece. But the piece was evolved by Willson from

certain of the comedian‘s fragmentary tunes. Merely to think

up tunes is not to compose. To compose – literally –

is to put together, to build, to organize.

      The Chaplin-Willson number was a potpourri

of attention-calling fanfares, capricious vivacity

and warm-toned balladry. It should serve well as incidental

movie music. It cannot claim to be concert music.

(...) San Francisco Examiner, San Francisco,

California, Aug. 28, 1940

& SPARKS: Meredith Willson, who just finished scoring

Charlie Chaplin‘s new film about dictators between

NBC broadcasts, lost nine pounds conducting the San

Francisco Symphony Orchestra. . . .

(...) Stars and „Mikes“ By Hal Rorke, Kansas City Star,

Kansas City, Missouri, Sept. 8, 1940


Has genius merit as a symphony

Editorial content. „By Louella O. Parsons“

      „Chaplin Music Offered in Concert

      Charles Chaplin has been working for months on the music

of The Dictator and according to Meredith Willson his

Prelude to Production No. Six has genius merit as a symphony.

      Willson must believe that the Chaplin music, apart

from the picture, is worthwhile, for he is presenting it at the

San Francisco World‘s Fair Aug. 27 in an all-American

concert. Chaplin always has written compositions, but has

really never done anything with his music.

      Interesting that the score of The Dictator will be presented

before the picture is seen and that reminds me that

Chaplin better keep his word and let me have a look at that

movie of his.“

     The Great Dictator world premiere is in New York Oct. 15, 1940

      at the Capitol and Astor Theatres.

      Capitol Theatre, 1645 Broadway (at 51st Street), New York. 

      Astor Theatre, 1531 Broadway (at 45th Street), New York.


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