The Gold Rush 1923 1924 1926 next previous
The Gold Rush Clippings 152/363
Harry Carr, Motion Picture, New York, May 1925.
Frank Lloyd is the brisk business man of the films
(...) Frank Lloyd Photo, Motion Picture, May 1925
& Rex Ingram always acts as if he were an interested and
somewhat satirical spectator
(...) Rex Ingram Photo, Motion Picture, May 1925
& Motion Picture Magazine is undoubtedly
one of the finest and most artistic of any the public is privileged
to buy. Its articles and illustrations are both edifying
and entertaining. Charles Chaplin.
(...) What the Stars Think of Motion Picture Magazine,
Motion Picture, July 1925
„Trying to make you act is like writing love-letters on butcher paper“
Editorial content. „How the Great Directors Work
Frenzy and calm, sarcasm and flattery, brow-beating
and coaxing, laughs and tears – all go into the
difficult business of directing motion picture stars, says
Harry Carr
Almost every one who visits a motion-picture studio
is surprised to find the directors more interesting than the stars
they are directing.
Charlie Chaplin is an amazing sight. In the first place,
he will not work at all unless – or until – he feels like
it. Sometimes he will spend days on end just sitting around
the sets talking himself and his actors into the right
mood. The camera never starts until that right mood arrives.
When the camera begins shooting, Charlie goes thru
many emotions – and motions. Sometimes he will throw himself
flat on his stomach with his chin propped up on his
hands. At other times he sits all hunched up in a chair.
I remember one day while they were taking A Woman of Paris,
that one of the actresses did not please him. In the middle
of her emotion, she stopped and looked around: the director had
disappeared. He was back in a corner of the set. He was
sitting down, bowed with grief. His hands covered his face. It had
been too much. He peeked at her thru his fingers like
a little boy. At length he raised his head and said to her with
bitter reproach, ,Trying to make you act is like writing
love-letters on butcher paper.´ Charlie is even more particular
than Lubitsch. The scene in A Woman of Paris
where the old mother saw the body of her son brought
home, was taken eighty-two times before Charlie
got it to suit him.“ (...)
Redaktioneller Inhalt
The Gold Rush 1923 1924 1926 next previous