The Gold Rush 1924 1925 1926 next previous
The Gold Rush Clippings 20/363
Gladys Hall / A. W. Fletcher, Motion Picture, N. Y., Jan. 1923.
Goldwyn to Release „Mad
Love“ on March 4th
Goldwyn‘s Pola Negri picture, Mad Love, will be released
on March 4. The first print of the picture, edited
and titled by Katherine Hilliker and H. H. Caldwell, has just been
received and shown at Goldwyn headquarters, and
was accorded an enthusiastic reception. Mad Love will receive
its premiere at the Capitol theatre, New York, about
the time of its national release date.
(...) Motion Picture News, Feb. 24, 1923
& Kissing Contest Put Across in
Campaign on „Mad Love“
Springfield, Mo. – A unique „Kissing Contest“ was
one of the features of the exploitation campaign on Mad Love
at Landers‘ Orpheum theatre put over by Keaton Franklin,
exploitation director for the Barbour Enterprises. The
„Kissing Contest“ was put across with the Matthews-McConnell
Drug Co. In the window of the store was a card
stating that Pola Negri claimed the distinction of giving
the most perfect kisses. A card showing the
impression of her lips was displayed. The „contest“ idea was
that local girls should imprint impressions of their
lips on similar cards; the girls whose lip impressions were
nearest like those of Pola Negri were given tickets
to the picture. The theatre newspaper advertising called
attention to the contest. A large carton of candy
kisses was placed on the cigar case of the city‘s leading cafe,
with a card which read: „Steal a kiss from Pola Negri
and see her in Mad Love on the same program with Charlie
Chaplin at the Landers Orpheum.“ A Chaplin comedy
was run with the Negri film.
(...) Motion Picture News, June 2, 1923
„He is ze great artist“
Editorial content. „We interview Pola Negri“
Five photos.
„WE... Gladys Hall and Adele Whitely Fletcher
Pola Negri... i. e. The Countess Chaulpez
Extras... Maids, secretaries, hotel clerks, bellboys and
other aids to royalty“ (...)
G. H. (remembering rumors which have connected the names
of Madame Negri and Charlie Chaplin):
Which man do you like best on the screen?
Pola Negri (frankly):
Ah, Charlie Chaplin. He is ze great artist. And as just ze man –
he is great, too. When I get to California I see him again...“ (...)
See also Hall/Fletcher, We interview Charlie Chaplin,
Motion Picture, Feb. 1924.
Redaktioneller Inhalt
The Gold Rush 1924 1925 1926 next previous