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The Gold Rush Clippings 325/363

Cal York, Photoplay, New York, December 1925.

Georgia Hale

(...) Cover Design From a Painting by Livingston Geer,

Photoplay, Dec. 1925

& Cal York

(...)  Photo, Photoplay, March 1934, detail

& „Salvation Hunters“ Scene with Georgia Hale (r.) – „Salvation

Hunters“ A Josef von Sternberg Production. This is the

most talked of, the most sensational production of the year.

It has been universally praised and where it has been

exploited it has broken no end of box-office records; in one

case, records that have been standing seven years.

„For entertainment value, sincere human interest and for

actualities,“ the reviewer of the N. Y. Morning

Telegraph says, „I have yet to see a greater production.

It is the finest thing I have seen in pictures.“

Now Booking United Artists Corporation

(...) Ad Photo, Exhibitors Trade Review, March 21, 1925, detail


Photoplay believes that it isn‘t likely to forget her

Editorial content. „The Girl on the Cover

      By Cal York

      Photo. „Georgia Hale, whose beauty

and intelligence waited long for a chance in pictures.“

      „She has a rare opportunity – one that comes

to few girls of her years. What is Georgia Hale going to do

with it?

      Photoplay has selected Miss Hale as its ,girl on the cover,‘

in spite of the fact that she has appeared in important

roles in only two pictures. One of those pictures – The Salvation

Hunters – was a terrible flop. The other was The Gold

Rush, and Miss Hale was the leading woman for Charles

Chaplin.

      And yet Photoplay believes that Miss Hale is one

of the interesting young actresses on the screen.

In spite of bad direction and a dreary story, she gave a striking

and memorable performance in The Salvation Hunters.

It was a sheer triumph of personality. It would have been an

achievement for an experienced actress. And yet the

little extra girl, who hadn‘t been able to find a position in any

of the big studios, ran away with all the honors of the

strange production.

      Oddly enough, her first screen test was made by Photoplay

three years ago for the Goldwyn New Faces Contest.

But the Goldwyn judge, Mr. Bowes, could not see her at all.

      Charles Chaplin has engaged Miss Hale for his

next production. He has great faith in her ability, although

he believes that she still has much to learn.

      But, most of all, Chaplin thinks that she needs assurance,

ease and self-confidence. Georgia Hale‘s career has

not been one to give her these qualities, for they are attributes

that usually come only with continued successes.

      Georgia Hale came to Hollywood several years ago.

She had won a beauty contest in Chicago and she

hoped to find a position waiting for her. But plunged into the midst

of the unfamiliar life of the studios, she found that her

beauty was useless and that her intelligence and her willingness

to learn were of even less importance. She had hoped

for recognition; she soon learned that she didn‘t even have

a chance.

      Just as she was about to give up the fight and go home,

Miss Hale met Josef von Sternberg – the strangest fish

in a queer sea. Von Sternberg asked her to play the leading

role in The Salvation Hunters, promising her a chance,

even if it meant working without salary.

      The Salvation Hunters made Georgia Hale, although

only a small section of the public saw the picture.

But it made her with the directors who hadn‘t been willing

to try her out when she was an inexperienced

extra girl.

      In The Gold Rush, the public sees Georgia Hale

for the first time. And Photoplay believes that it isn‘t likely

to forget her.“


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