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City Lights Clippings 49/387

Film Daily, New York, May 26, 1929.

Just to show that there‘s plenty of life in the old boy yet,

Charlie Chaplin goes in for a little game of leap-frog

with Harry D‘Arrast, the director. This picture was taken while

Charlie was convalescing from his recent illness

at Coronado Beach.

(...) P. and A. Photo, Photoplay, June 1929

& Always – a Perfect Wave (...)

      Wave and Sheen

(...) Ad, Motion Picture, April 1929

& Warner‘s at Broadway, exterior by night, New York

(...) Edison Mazda Lamps Ad, Motion Picture

News, June 1, 1929

& Off to the Orient. Continuing their tour of the Old World,

H. M. Warner, president, and Sam Morris, vice

president, of Warner Brothers; J. Hazen, also of Warner

interests; Mrs. Sam Sax and Mr. Sax, production

chief of Vitaphone, embark at Naples for Alexandria, Egypt.

(...) Photo, Motion Picture Herald, April 21, 1934

& Almost Funny

      Sam Goldwyn, they say, left Henry‘s, where he had

been lunching, and hailed a taxicab, directing the

driver to take him to the United Artists studio. „Where is that?“

inquired the driver. „What!“ fumed Goldwyn. „The

United Artists studio, on Santa Monica Boulevard.“ „Oh, yeah,“

said the taxi man, „I getcha. It‘s the one just this side

of Educational Comedies.“

(...) Motion Picture, June 1929

& Comiques Are Concerned

      Comedians of the first rank are worrying more about

talking pictures than anybody. Charlie Chaplin has

virtually decided against having any vocal efforts in his

feature, „City Lights.“ And now we learn that

Harold Lloyd is somewhat doubtful about the expediency

of speaking lines.

      Both these fun makers have a highly developed

art in their comedy, and it would perhaps be

a great mistake to turn away from this familiar medium into

channels doubtful and unknown. Still they

are both in a quandary at times, we understand.

(...) Hollywood High Lights By Edwin and Elza Schallert,

Picture Play, June 1929

& Chaplin Not Entering

      U. A. Consolidated Plan

      Comedian to Put Pictures on Open Market

      if Deal Goes Through (...)

      Hollywood – Providing United Artists Consolidated

is organized, Charles Chaplin will withdraw from

the United Artists group and place his pictures on the

open market. His attitude towards the proposed

organization is identical with his views on the Warner-United

Artists merger deal which has recently been dropped.

      Under the plan units producing for United Artists will

be merged into a single producing organization.

Hitherto, each unit has constituted a separate company

and United Artists has functioned as a distributing

company.

      Chaplin has three more pictures to make under his

present United Artists contract. It is expected that

he will consider any change in organization an automatic

cancellation of his distributing agreement.

(...) Film Daily, New York, May 20, 1929

& How To Tell the Day Of The Week

in Hollywood (...) Motion Picture, June 1929

& And, of course, there‘s the

yes-man‘s angle to contend with at all times.

(...) Motion Picture, June 1929

& Warner‘s at Broadway, exterior by night, New York

(...) Edison Mazda Lamps, Motion Picture News, June 1, 1929

& Off to the Orient. Continuing their tour of the Old World,

H. M. Warner, president, and Sam Morris, vice

president, of Warner Brothers; J. Hazen, also of Warner

interests; Mrs. Sam Sax and Mr. Sax, production

chief of Vitaphone, embark at Naples for Alexandria, Egypt.

(...) Motion Picture Herald, April 21, 1934


„Chaplin notwithstanding...“

Editorial content. „In The News

      Monday: From Hollywood: Charles Spencer, who rounds

his name out with Chaplin, continues to stand ground.

If United Artists Consolidated becomes a fact, Charlie will not

be party to the move. That‘s his story and stick to it

he will. The rest of the yarn, also quite interesting, is that U. A. Consolidated will be formed, Chaplin notwithstanding...“


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