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The Circus Clippings 204/376

Los Angeles Times, Los Angeles, Cal., January 26, 1928.

Fred Niblo

„Camille“

„The Temptress“

„Mark of Zorro“

„Ben Hur“

„Blood and Sand“

„Three Musketeers“

(...) Bull Photo, Film Daily Year Book 1927

& BUILDING THE CIRCUS MAXIMUS

      SET FOR „BEN HUR“ – The scene below gives an idea

of the magnitude of the set used in the Fred Niblo

production, said to be the largest and costliest ever constructed

for a picture. The chariot race track for the Metro-Goldwyn-

Mayer production is over 1000 feet in length and the arena will

seat 200,000 people.

(...) Photos, Exhibitors Herald, Dec. 20, 1924

& FED NIBLO TO

      WELCOME STARS

      Filmdom‘s favorite „introducer,“ Fred Niblo, has been

selected to officiate at the premiere of Charlie

Chaplin‘s „The Circus“ Friday night in Grauman‘s Chinese

Theater. Niblo will welcome the distinguished

audience, which will include practically every star of first

rank in the film colony.

      Gala social events will be staged by the stars preceding

the premiere, many of them entertaining their

friends at the Roosevelt Hotel, in compliment to Grauman,

who is vice-president of the company operating

the hostelry.

      Arrangements have been completed to handle

a record-breaking throng of sightseers on Hollywood boulevard

to see the favorite stars entering the theater for the

first peep at Chaplin‘s new screen vehicle.“

(...) Los Angeles Evening Express, Jan. 25, 1928


„Putting the finishing touches on his prologue spectacle“

Editorial content. „NIBLO OFFICIATES AGAIN

      Fred Niblo, cinemaland‘s well known master of ceremonies,

is selected to officiate at the festivities of the premiere

of Charlie Chaplin‘s „The Circus,“ tomorrow night in Grauman‘s

Chinese Theater, according zo an announcement

just made by Sid Grauman.

      The theater magnate‘s personal staff today will complete

the details of arranging for a transcendent electrical

display to herald the event, the broadcasting of the arrival

of the stars and descriptions of their costumes, and

other highlights of the premiere.

      With the forecourt of the Chinese Theater being transformed

into the atmosphere of the main entrance of a big

circus, by the introduction of a menagerie and sideshows,

Grauman will be busy up to the hour of the premiere

putting the finishing touches on his prologue spectacle, which

is to be an indoor circus of proportions.

      And, tucked away somewhere on the grand program,

as though it were an afterthought, will be the shy and

shrinking Mr. Chaplin, motion pictures‘ most signal claim

to distinction, in his new comedy.“    

      Grauman‘s Chinese Theater, 6925 Hollywood Blvd., L. A.

      The Circus is released by United

      Artists in New York January 6, 1928.


Redaktioneller Inhalt


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