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The Circus Clippings 346/376

Cedric Belfrage, Motion Picture, New York, September 1928.

Cedric Belfrage with James Aronson (left) and John T.

McManus (right) in 1948 when they establish the National Guardian.

Photo Spartacus Educational

& MARION DAVIES ALS TÄNZERIN

(...) Phot. M.-G.-M., Film Magazin, Berlin, Oct. 27, 1929

Norma Talmadge and Marion Davies

(...) Photo, Motion Picture, July 1925

& Marion Davies

(...) Photo, Motion Picture, Jan 1927

& Marion Davies

(...) Photo, Photoplay, Jan. 1925

& Marion Davies

(...) Photo, Motion Picture, July 1925

& Marion Davies

(...) Photo, Photoplay, May 1926

& Marion Davies

(...) Portrait, Photoplay, Oct. 1924

& Marion Davies

(...) Motion Picture Cover, Oct. 1923

& Marion Davies

(...) Photoplay Cover, June 1928


„The inner circle of the Davies clique“

Editorial content. „Hollywood‘s Seven Deadly Cliques

      Celluloid Society Is Closely Organized and Frowns Upon

      Sin and Gin

      By Cedric Belfrage“

      Drawing. „The Marion Davies set goes in for just

      the jolliest pranks“ (...)

      „FROM the seven deadly sins to the seven deadly

cliques – such has been the progress of Hollywood

society from the first hectic days of the movies to the

present time.

      ,Movie Star, Gin-Crazed, Shoots 3‘ was the sort

of thing we used to have served to us with

our morning coffee and rolls a few years ago.“ (...)

      „Various degrees of respectability are

represented by the seven main cliques into which Hollywood

society divided itself. In some cases it is even genuine

respectability.

      The largest (if the hangers-on to its fringe are

included), the most exclusive (in point of those actually on the

inside), and the most aspired to is the Marion Davies clique.

With her numerous estates and unlimited wealth, Marion can do

things on a bigger scale than anybody – and she does.

There is probably not an actor or actress in Hollywood who

would not give a month‘s salary for an invitation

to stay at the enormous ranch near San Francisco, where

Marion is said to entertain her friends on a scale

unequalled since the gay days of the Roman Empire.

The inner circle of the Davies clique consists of

Charlie Chaplin, Harry Crocker (Chaplin‘s lieutenant), George K.

Arthur, Harry D‘Arrast, the director, William Haines and

Seena Owen. Those who are in and out, often figuring on the

Davies invitation list but never becoming quite one of

the gang, include Gloria Swanson, Frances Marion and Agnes

Christine Johnston (scenario writers), Sam Goldwyn,

Lloyd Pantages, Louise Brooks, Bebe Daniels, Elinor Glyn,

Dorothy Mackaill and Adolphe Menjou.

      The Davies clique, in so far as its superficial activities

are concerned, stands for nice, clean, wholesome

fun. The boys and girls belonging to it get together and while

away the long evenings with a pleasant game

of charade or a screamingly funny kissing game in which

the innocent victim waiting blindfolded for an

osculation gets instead a plateful of ice-cream on the beezer.

Any amount of healthy enjoyment is obtained from

the sort of thing, which may take place either at one of the

numerous Davies houses, or at the ranch, or on the

yacht, or in Marion‘s studio bungalow.“ (...)

  

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