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The Circus Clippings 367/376

Hay Chowl, Close Up, Territet, Switzerland, June 1929.

Mutter Krausens Fahrt ins Glück Scene

(...) Close Up Cover, April 1930

& Marlene Dietrich, a vaudeville vamp in Joseph

von Sternberg‘s Ufatone Super (Prod. Erich

Pommer), The Blue Angel, featuring Emil Jannungs.

(...) Close Up, March 1930

& An Audience, Sketches for Studio Sets by K. Macpherson.

(...) Close Up, Sept. 1927

„A sort of heart-burn“

Editorial content. „Orientations.“ (...)

      „It would have been more pleasant to have excluded

Chaplin from this for until The Circus he was always maleable,

ever transient. Evolving. Like a famous brand of

book-shelves ,Always finished but never complete‘. It would

be false to say The Circus was tiresome but it left a sort

of heart-burn, a feeling that Parnassus was behind the little man,

with Gold Rush glistening at the top.“ (...)    „Hay Chowl.“

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