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The Gold Rush Clippings 30/363

Motion Picture News, New York, February 24, 1923.

Charlie Chaplin in „The Gold Rush“

– Marlborough Picture Theatre, Holloway Road

(London), Monday, March 8th for one week –

programme cover, undated, Bill Douglas Collection

& Tivoli Theatre, audience with stage viewed

from balcony, London, undated, yooniqimages.com

& Charles Chaplin being interviewed

at the Ritz Hotel, London, 1922, ssplprints.com

& Piccadilly Circus and the London Pavilion,

advertising „Cochran‘s Revue,“ London, 1930, postcard,

arthurlloyd.co.uk

& Castleton Knight, undated, British Universities Film & Video

Council, John Turner Collection

& Prologue to „Hunting Big Game in Africa“ staged

at the Pavilion, London, England, with extensive collection

of savage implements.

(...) Photo, Motion Picture News, July 7, 1923

& OUR British cousins, it develops, place

  1. D.W. Griffith and Charlie Chaplin at the head of their list

of film divinities. This conclusion is based upon

the results of a popularity contest conducted in England

recently by The Sunday Pictorial, which undertook

to determine the preferences and prejudices of the British

film going public.

      „Way Down East“ was declared the most popular picture,

according to the report by cable last week, voting

being general throughout the British Isles. Second in popularity

was „Orphans of the Storm,“ followed by „The Kid“

in third place.

      The voting in this contest included every important American

picture which had been shown there prior to March.

(...) Motion Picture News, New York, August 25, 1923


„The first exhibitor to greet him“

Editorial content. „Leading British Exhibitor Here

      Castleton Knight of London Making

      Study of American Methods

      Castleton Knight, director of presentation for the Marble

Arch Pavilion, Shaftesbury Avenue Pavilion. Sheperds

Bush Pavilion and Lavender Hill Pavilion, all of London, England,

and formerly general manager of the Majestic Cinema,

Clapham, arrived in New York this week on the ,Carmania‘ for

several weeks‘ stay, during which he will make a study

of presentation methods in the leading theatres in New York,

Chicago and probably Los Angeles.

      Knight is known throughout England as one of the most

enterprising of showmen, and accounts of many of his

campaigns have appeared in the Exhibitors‘ Service Bureau

of Motion Picture News.

      At the time of Chaplin‘s visit to England, Knight

flew to Cherbourg by airplane and was the first exhibitor

to greet him. Chaplin promised to make a personal

appearance at his Majestic Cinema, but when the comedian

was returning to London from Paris by airplane,

with but two days remaining, Knight decided on a ruse.

He chartered a high powered car, disguised himself,

and met the plane when Chaplin landed, stating that he had

been sent from the Ritz, where Chaplin was stopping.

      Chaplin entered the machine and Knight drove him

to the Majestic Cinema, then revealed his identity. He took

it good naturedly and made a personal appearance

and speech, the only one made in England. Meanwhile, Lloyd

George was waiting for Chaplin.“ (...)     

      The Gold Rush opens in England Sept. 14, 1925 at the Tivoli,

      65-70½ Strand (at John Adams Street), London.

     

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