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Modern Times Clippings 160/382

Jim Tully, Motion Picture, New York, July 1935.

Lita Grey signing her contract for The Gold Rush, behind

her Charles Chaplin, Jim Tully, Henry Bergman, Los Angeles,

1920s, Photo Paul J. Bauer/Mark Dawidziak

& Modern Times Scene

& Modern Times Lobby Card, United Kingdom,

black & white, ebay

& Modern Times Lobby Card, in color

& Erwin Blumenfeld (creator), Charlie, 1920, Collage, Indian

ink, watercolor and pencil on paper, Collection Helaine

and Yorick Blumenfeld

& Erwin Blumenfeld (creator), Group with Chaplin, early 1920s,

Gouache and pencil on paper, Collection Henry Blumenfeld

„The silent Rock of Gibraltar“

Editorial content. „Can CHAPLIN Come Back?

      By JIM TULLY

      The most outspoken American writer of today asks

this question about the only star who has remained

silent. You may agree with what he says – or you may not.

But you won‘t skip a word of his article!“ (...)

      „His new picture, The Masses – as the tentative title implies,

is said to be a comprehensive social study, by one, who

as an artist, still affects baggy trousers, a derby hat and a shuffling

walk – who spends much of his time discussing the woes

of the poor in the parlours of the rich – and trying to remain the

silent Rock of Gibraltar in the turbulent and progressive

land of the talkies.“

      Photo. „Chaplin still affects baggy trousers, makeshift

coat and derby hat in his new picture“

      Photo. „Paulette Goddard, who is reported married

to Chaplin, plays opposite him in the new picture“

      Photo Rhodes. „A studious study of Chaplin as he appears

four years after making City Lights“ (...)

      The definitive title of Chaplin‘s film will be Modern Times.

     Modern Times world premiere will be in New York

      Feb. 5, 1936 at the Rivoli Theatre.

      Rivoli Theatre, Broadway at 49th Street, New York.

Redaktioneller Inhalt

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