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Modern Times Clippings 296/382

  1. C.A. Lejeune, Observer, London, England, Feb. 16, 1936.

  2. C.A. Lejeune with her son Anthony Lejeune, circa 1931,

wikipedia

& THE CRUSADE OF COMEDY.

      FILMS TO BRING LAUGHTER. (...)

CLAIR‘S WIT

      Since coming of sound into cinema only Rene Clair,

of all film directors, seems fully equipped with

the clear sense of social comedy. There is, of course, Chaplin,

whose new picture „Modern Times“ contains what

is emphatically a social argument. But „Modern Times,“

as I have said elsewhere, is a polemic picture.

Under pressure of its subject the common-sense of Chaplin

tends to grow impatient and angry. This is satire,

not comedy, for comedy knows that impatience is in itself

ridiculous. (...)

      For we have been sick for years for want of laughter,

and the more we laugh at ourselves, not with the

bitterness of satire, nor the guffaw of slapstick, but with the

blessed commonsense of comedy, the quicker and

more permanent will our recovery be.

                                                                             C. A. L.

(...) Observer, London, England, Feb. 16, 1936.

      C. A. L., Caroline Alice Lejeune.


„A gallant but uncomprehending blunder on the left“

Editorial content. „Films of the Week

      (BY C. A. LEJEUNE,)

      BLUNDER ON THE LEFT.

      Mr. Chaplin‘s new film, Modern Times, now on view

at the Tivoli, was, we are told, ,written by Charlie

Chaplin, directed by Charlie Chaplin, music by Charlie

Chaplin, edited by Charlie Chaplin, produced

by Charlie Chaplin, and starring Charlie Chaplin.‘ We can

readily believe it. We should not be surprised

to learn that the players were made up by Charlie Chaplin,

the sets constructed by Charlie Chaplin, and the

custard pies compounded by Charlie Chaplin, so completely

does the picture bear the stamp of one dominating

and curiously life-scarred mind.“ (...)

      „Charlie, the clown, was in his way the symbol and

consoler of the people; Chaplin, the reformer, has

lost touch with the common people, and produced what

is little more than a gallant but uncomprehending

blunder on the left.“

     Modern Times world premiere is in New York Feb. 5, 1936

      at the Rivoli Theatre.

      Rivoli Theatre, Broadway at 49th Street, New York.

      Modern Times opens in London Feb. 11, 1936

      at the Tivoli Theatre.

      Tivoli Theatre, Strand at the corner of John Adam Street, London.

 

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