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Modern Times Clippings 336/382

Variety, New York, March 25, 1936.

Tivoli Theatre Program, „Ben Hur“ Cover, London, March 1927

& Modern Times Scene

& Tivoli Music Hall at the left side, exterior by day,

London, undated, postcard

& Tivoli Theatre, exterior by night, electric sign „Whoopee,“ London

(...) Photo, Motion Picture News, Dec. 6, 1930

& Tivoli Theatre, exterior by day, electric

sign Vincent Price, Mai Zetterling „The Lost People“ William Powell,

Shelly Winters „Take One False Step,“ London 1949

& The Tivoli - Strand - Discus service enables patrons of this magnificent Cinema to fully enjoy the music from

the wonderful organ. (...) The „Discus“ Organ-Blower (...)

Watkins & Watson

(...) Ad, Cinema, London, Oct. 2, 1924

& WELL, the Chaplin film has taken the town by storm,

and Sydney Carroll predicts it will last well into

the cricket season. But the critics are by no means unanimous

about it. Carroll praises it because it is „more

than a comic film – it is a stern arraignment of our so-called

civilization.“ Lejeune objects that Chaplin is here

for the first time „less interested in precision of statement than

in the thing he has to say,“ and the New Statesman

that René Clair has done the same thing better. Graham Greene

– in our opinion the best movie critic in England –

says flatly in the Spectator that „Chaplin, whatever his political

convictions may be, is an artist, and not a propagandist“

and accepts „Modern Times“ as a work of the first rank. Few

object to the fact that it is a silent film. And the basic

facts remains that the Tivoli is packed all day. Chaplin is still

Chaplin.                                             – SAMUEL JEAKE, JR.

(...) London Letter, New Yorker, March 7, 1936

& $42,500 FIRST WK. FOR

      „TIMES“ AT LONDON TIV (...)

      „Modern Times,“ playing at the Tivoli on a six-a-day

grind, is doing very fine business.

      First week‘s take is estimated at $42,500.

(...) Variety, Feb. 19, 1936

& Chaplin‘s „Modern Times“ at the Tivoli, with a $200,000

guarantee, where it‘s likely to linger at least

12 weeks, is just about approximating $20,000, having

settled into its run, which is not enough.

Film‘s opening was claimed to be rather over $35,000.

(...) Variety, April 15, 1936


„Somewhat spasmodic“

Editorial content. „Comedy Tops in West End; Chaplin

      $25,000 4th Wk“ (...)

      „Laughtermakers are Chaplin at the Tivoli;

the Three Marx Brothers at Metro‘s Empire, and Harold

Lloyd at the Carlton.“ (...)

      „Tivoli – Modern Times (UA) (4th wk.)  Business

exceptionally good, although somewhat spasmodic. Teatime

not so hot, but with six shows daily, the Tivoli can

take plenty. First week was over $40,000. Has dropped

slightly, and is still doing near $25,000.

Bigger trade is expected with the coming Easter.“ (...)

     Modern Times world premiere is in New York Feb. 5, 1936

      at the Rivoli Theatre.

      Rivoli Theatre, Broadway at 49th Street, New York.

      Modern Times opens in London Feb. 11, 1936

      at the Tivoli Theatre.

      Tivoli Theatre, Strand at the corner of John Adam Street, London.

    

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