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Victor M. Shapiro, Motion Picture Herald, N. Y., May 12, 1934.

Victor M. Shapiro

(...) Photo, Exhibitors Herald, Sept. 30, 1922

& Paulette Goddard, Charles Chaplin,

undated, Twitter

& Modern Times Set, Los Angeles 1935,

Roy Export

& ROMANCE WITH NEXT MOVIE

      FOR CHAS. CHAPLIN

      –––

      Admits His Past Year Not All Devoted

      To Paulette Goddard

      –––

      Whom May Be His Wife

      By Ted Smits,

      International News Service Staff Correspondent

      HOLLYWOOD, May 8 – (I. N. S.) – Romance still beckons

for Charlie Chaplin.

      The start of his long projected and equally long delayed

new picture remains still in the hazy future.

      Everything has been in readiness at his studio for months.

      But the master of pantomime has been too busy

squiring Paulette Goddard, the tall beauty he has chosen for

his next leading lady, to go before the camera.

      The two are seen frequently together, and, chaperoned

by friends, have gone on long cruises up and down

the California Coast in Chaplin‘s yacht.

      Rumors that they have, in fact, been married

aboard the boat abound in Hollywood but they have been

stoutly denied.

      According to one intimate friend, if the marriage does

occur it will be after Chaplin has finished his picture.

      Chaplin has let it be known that not all his time during the

past year has been spent paying court to Paulette.

On the contrary, the great comedian has done something he has

never done before – he has prepared a complete script

for his next picture, which, like his last few efforts, will be ,silent‘

in that there will be no talking. There will be ,sound

effects,‘ however, and music much of which Chaplin himself

wrote or suggested.

      ,All my ,gags‘ are ready now, I can make my picture in six

weeks,‘ Chaplin told a friend.

      Meanwhile at the Chaplin studio, cozy, spotless place

in the English style of architecture where only Chaplin

movies are made, plans have been perfected to such an extent

that, according to Alfred Reeves, the general manager,

,Mr. Chaplin could walk in at 8 o‘clock unannounced any morning,

and we could start work at nine.‘

      The big, outdoors stage has been renovated, cameras and

equipment have been overhauled. Chaplin‘s private

studio where he watches his own work each day has been

completely remade – and what is more important,

Paulette Goddard‘s dressing room has been completed.

      In soft colors, with expensive, subdued hangings

and carpets, this boudoir would do credit to any of the greatest

movie stars. There is a connected telephone – which

never has been used – and a new radio which never has been

turned on.

(...) Evening Report, Lebanon, Pa., May 8, 1934


„At a slot-machine game of skill“

Editorial content. „The Hollywood Scene

      by Victor M. Shapiro“ (...)

      „Meeting Charlie Chaplin in an out-of-the-way

drug store where the comedian was chancing his luck

at a slot-machine game of skill, the writer,

between nickel shots, asked him about his forthcoming

production.

      Charlie was more inclined to discuss the prize

Zeppo Marx won for a nickel the night before, but unfolded

the fact that his much awaited next picture will have

a down-to-earth theme with rural flavor.

      Paulette Goddard, former Follies girl, will play

opposite him.

      Chaplin‘s production will be silent with sound and musical

effects only. Charlie will stick to pantomime.

      For the first time in his production career, he will work from

a completed script, so he said, and at the moment is

completing the scenario.

      Additional sound stages have been built at his studio

for the production.

      He said the film will be released the first of the year.

      Knowing the charming vagaries of the comedian, it may

be confidently said that all of his best intentions, as

outlined, may be diverted at less than a moment‘s notice,

      Once before, after it had been in the mental stage

for over a year, Charlie promised the delivery of his film to his

distributors in three months. The film was delivered

by Chaplin two years later.“


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