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City Lights Clippings 159/387

Motion Picture News, New York, December 13, 1930.

John Decker

      Leopold von der Decken changed his name to John

Decker when he left Europe in 1921, Wikipedia

& „Chaplin in Beardsleyscher Manier“

      Zeichnung von J. Decker

„Chaplin in Gauguinischer Manier“

      Zeichnung von J. Decker

„Chaplin in Rembrandtscher Manier“

      Zeichnung von J. Decker

Illustrationsproben aus „Das amerikanische Theater und Kino“     

(...) Bühne, Wien, December 15, 1930

& Chaplin im Stil der großen Meister

      Gesehen von John Decker

Wie ihn Audrey Beardsley gezeichnet hätte –

Wie ihn Whistler unsterblich gemacht hätte –

Wenn „Charlie“ zur Zeit Rembrandts gelebt hätte –

Wie ihn der berühmte spanische Maler El Greco gemalt haben würde –

(...) Revue des Monats, Berlin. Oct. 1928

& CHAPLIN AS OWN EXHIB

      FOR HIS NEW PICTURE (...)

      Charley Chaplin becomes an exhibitor of his own picture

with „City Lights,“ having taken the Cohan theatre,

New York, for a minimum of 12 weeks, starting the first week

in February. Wherever possible, Chaplin personally

will make similar arrangements as an exhibitor in the key

cities.

      At the Cohan, „City Lights“ will grind $1 following a $10

premiere with Chaplin on hand for the opening.

      Chaplin has set the record quota of $6,000,000 on his

„City Lights.“ This is just the States and not the entire

world. U. A. exchanges have been advised to close contracts

on this basis. This means that the film as ordered

will be offered nowhere under 50% of the gross, and that‘s

strictly percentage.

      In starting after business U. A. thus reverses its plan

of last summer. This was to hold off selling „City Lights“ until

after the film has opened on the coast or in the east.

All former contracts for the picture have been cancelled

automatically, since they were made under the old

standard agreement around two years ago.

      U. A.‘s previous plans for holding off on selling plans was

on the contention that Chaplin‘s quota was too high.

      With the film scheduled to open soon, U. A. is said to be

recalling all the old Chaplins from the market, aside

from one-reelers and others controlled by outsiders. It is

expected, however, that these may immediately

break out after „Lights“ opens.

(...) Variety, Dec. 24, 1930

& CHAPLIN‘S „CITY LIGHTS“

      AT COHAN, FEBRUARY 1

      Charlie Chaplin‘s „City Lights“ will have its New York

premiere at the George M. Cohan theatre on

February 1. Chaplin anticipates being in New York to attend

the opening of the film, which has been two

years in the making, and is said to have cost $1,400,000.

(...) Exhibitors Daily Review and Motion Pictures

Today, Dec. 19, 1930

& Chaplin‘s „City Lights“

      Opens at Cohan Feb. 1

      Opening of Charlie Chaplin‘s „City Lights“ at the George

  1. M.Cohan was announced yesterday by United

Artists. It will be shown on a continuous policy. Chaplin

is deferring his European trip to be present

at the premiere.

(...) Film Daily, Dec. 19, 1930


„A ,fabulous‘ sum has been offered“

Editorial content. „The Highest Bidder?

      One of the most interesting deals in Chicago film and

theatre history is now pending between United Artists

exchange and one of the smallest theatres in the city. The

deal involves the Chicago first-run of Chaplin‘s

City Lights, for which, according to the description of a U. A.

representative, a ,fabulous‘ sum has been offered

by the owner of the tiny house. It is understood that the

amount is a $50,000 guarantee, and percentage.

      So tempting has the offer proved to United Artists

that no decision has been made to date, although

the subject was first broached about one month ago.“ (...)

      „A decision is expected before the first of the year.

                                                                            The Insiders


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