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City Lights Clippings 180/387

INS, Huntsville Times, Huntsville, Alabama, February 1, 1931.

Here is a rare photograph for your collection. It is a brand

NEW picture of all the United Artists stars. These

celebrated players always refuse to be photographed

for portraits. Chaplin hasn‘t had a portrait study

made in years, Doug and Mary are almost as bad, and

the rest are camera dodgers, too. But here

you have them all. Left to right, Al Jolson, Mary Pickford

(in Kiki costume), Ronald Colman, Gloria Swanson,

Doug Fairbanks, Joseph M. Schenck, president of United

Artists and husband of Norma Talmadge, Charlie

Chaplin, Samuel Goldwyn, the producer, and Eddie Cantor

(...) New Movie, Feb. 1931

& Al Jolson, left, Mary Pickford, Ronald Colman, Gloria Swanson, Douglas Fairbanks, Joseph M. Schenck, Charlie Chaplin,

Samuel Goldwyn, and Eddie Cantor catch their breath after

charging that Fox theatres seek to „stifle“ their art.

(...) Photo, Picture Play, Feb. 1931

& Just what is this bow

      between United Artists and Fox West Coast   

      theatres, anyway?

      Why, it‘s simply this. Fox West Coast own or control a great

many important movie houses on the Pacific coast.

The United Artists Corporation, as you know, is the distributing

organization of various ace players who produce their

own pictures. United Artists charge a flat rental to the theatres

for the showing of their pictures. Now, Fox West Coast

consider these rentals too high.

(...) Photo, Modern Screen, Feb. 1931

& A HORSE FOR CHARLIE

      There‘s one thing Chaplin won‘t have to worry about

in peddling his silent „City Lights“ around the world – the making

of foreign versions,

(...) Los Angeles Times, Jan. 31, 1931

& The Lancer

      by Harry Carr

      OUR newest playhouse, where Charlie Chaplin‘s

picture is on display, comes pretty near being the last word

in theaters.

      Until the movie palaces came along – with Los Angeles

leading in the matter of innovations – architects

had made no progress in theater building since the time

of Shakespeare.

      As a matter of fact, the crude theaters of Shakespeare‘s

time were better adapted to the purpose. It was

possible for the cash customers to get closer to the

players.

      Owing to a lack of imagination and understanding

on the part of theater builders, the stage is bound

to conventions which handcuff all possible progress in acting –

as, for instance, the necessity of always facing the

audience and shouting the lines. No architectural device

has ever been discovered to approximate the

advantage of the motion-picture „close-up,“ which opened

vast new possibilities in the art of acting.

(...) Los Angeles Times, Jan. 31, 1931

& Hal Hall Says (...)

      The Endless Chain

      With the report that Chaplin‘s „City Lights“ already has

advance bookings totalling more than four millions

of dollars, the motion picture air is filled with buzzings to the

effect that the silent picture is again coming back into

its own. Maybe! But – there is one thing producers must not

forget – that there is only one Mr. Chaplin. (...)

      But now the wide film is in the discard, and with the coming

of a great successful silent drama we shall probably see

many following in Chaplin‘s footsteps with silents – but they must

not forget that there is only one Chaplin.

(...) Hal Hall, American Cinematographer, L. A., Feb. 1931


„Escaped uninjured“

Editorial content. „EINSTEIN ATTENDED

      ,CITY LIGHTS‘ PREMIERE

      LOS ANGELES, Jan. 31, (INS) – Sr. Albert Einstein,

famous scientist attended the World‘s premiere

of two million dollar Charles Chaplin silent picture City

Lights here last night and escaped uninjured.

      In the milling mob of 25,000 persons that surged around

the entrance to the Los Angeles theatre.“

      INS, International News Service.

     The world premiere of City Lights takes place in Los Angeles

      January 30, 1931 at the Los Angeles Theatre.

      Los Angeles Theatre, 615 South Broadway (between

      6th and 7th Streets), Los Angeles.

      City Lights opens in New York February 6, 1931

      at the Cohan Theatre.

      George M. Cohan Theatre, 1482 Broadway (between

      42nd and 43rd Streets), New York.

    

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