City Lights   1930   1931   1932   next   previous

City Lights Clippings 182/387

Hale Horton, Motion Picture, New York, February 1931.

City Lights Scene, Henry Bergman as Mayor

& Here is the outside of Henry‘s, distinctive Hollywood eating emporium, and here is Henry (Bergman) himself, in person.

(...) Talking Screen, Aug. 1930

& Everybody goes to Henry‘s – the stars, the near stars,

the extras, the sightseers – says Mr. McInyre. It is

noisy but it has a bonhomie that few eating places have

achieved. Henry was a character actor and his

restaurant is reputed to have been backed by Charlie Chaplin.

(...) New Movie, Dec. 1930

& Above you have the pleasure of peeing at the interior

of Henry‘s. It‘s not a dancing place, there isn‘t

even any music. But every night lots of studio folk gather

to eat there and discuss this and that till the wee

hours. Lois Meran can be seen in the left foreground.

(...) Talking Screen, Aug. 1930

& Where They Eat... and Why

      A Short Menu History Of Hollywood

      By Hale Horton (...)

      Strange groupings I noticed in all the restaurants from

Victor Hugo‘s to Stark‘s, whose German food causes

Hollywood moguls to mingle with orchestra leaders. At Henry‘s

I found sad-eyed song writers doping out new musical

spasms; Charlie Chaplin, dunking a jelly sandwich in a concoction

of coffee and tea, while he patiently explained his stand

against the talkies.

(...) Motion Picture, Feb. 1931

„To space the laughs“

Editorial content. „SAVING THE LAUGHS

      Directors of movie comedies that depend upon action,

principally, await with much interest the verdict on

Chaplin‘s experiment with ,silent‘ pictures. The greatest

difficulty faced by the director, according to Del

Lord, who has made some of the best, is to space the laughs.

That is because the audience is an unknown quality.

If the action is slowed down to give the audience time to laugh,

the members of that particular theater crowd may not

laugh and a deplorable ,wait‘ results. Within the past few

months comedy directors have been cutting short

the ,spoken titles‘ in the hope of obviating this. If the people

will accept pantomime, combined with the ordinary

sound effects, such as street noises, directors see a chance

for a return to the rapid-action comedy that lost some

of its zip through the talkies. The stage comedian has an

opportunity to space his laughs that is denied to the

screen actor.“                                                           

Redaktioneller Inhalt

 City Lights   1930   1931   1932   next   previous