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The Circus Clippings 191/376

O. C., New Yorker, New York, January 18, 1928.

Mr. Chaplin in „The Circus.“

(...) Drawing, New York Times, Jan. 15, 1928

& 2nd Record Breaking Week !

      Charlie Chaplin

in the world‘s greatest record-breaking hit

       „The Circus

acclaimed as his supreme achievement

      Mark STRAND (...)

Open Daily 10:30 – SUNDAY AT NOON

(...) New York Times, Jan. 15, 1928


„Mr. Chaplin should not have low points“

Editorial content. „THE CURRENT CINEMA

      The Circus A Game of Humor – And an Act

      OWING to the exigencies of going to press the latest

batch of movies will have to be reviewed next week

and that leaves space this week for a few thoughts I have

been wanting to express.

      Included in a long list of films, The Circus was

dismissed a bit more summarily in these columns than

it deserved. During the moments when Mr. Chaplin

was stealing a loaf from a baby, or imitating a dummy,

or standing in a lion‘s cage, he was highly ludicrous,

and the high points of Mr. Chaplin‘s ludicrousness are very

high. On the other, the low points were exceedingly

low and Mr. Chaplin should not have low points. He is master

of humor and The Circus was to be his masterpiece

and he should not have bogged it down with a lot of second-rate

slapstick comedy such as the scenes when he was

learning to be clown, or was being a clown, or during the

time when he was chased in the maze. Any comedian

of any attainments could have carried on the same antics and

perhaps made them a touch funnier than they were.

Also I object to the pathos. Somehow the feeling has gotten

around that a smile-through-the-tears is happier

than a guffaw. Mr Chaplin rose his position on guffaws and

not on streaming tear ducts.“ (...)

                                                                                     „O. C.“ (...)

      Strand Theatre, 1579 B‘way (at 47th St.), New York.

      The Circus is released by United

      Artists in New York January 6, 1928.


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