The Circus   1927   1928   1929   next   previous


The Circus Clippings 192/376

Variety, New York, January 18, 1928.

Edwin Carewe‘s „I am the Law,“ opens at Mark Strand

theatre, New York, June 4. This mammoth

sign is part of exploitation drive put behind the picture

by President C. C. Burr of Affiliated Distributors.

(...) Photo, Exhibitors Herald, July 10, 1922

&  Strand Theatre, exterior by day, promotion for First

National‘s „One Clear Call,“ New York.

(...) Photo, Exhibitors Herald, Aug. 12, 1922

& Strand Theatre, exterior by day, marquee Annette Kellerman

in „What Women Love,“ New York

(...) Photo, Exhibitors Herald, Aug. 28, 1920

& Star Starts It. As Warner Brothers

inaugurated the run of „Gold Diggers of 1933“ at the Strand

in New York, with Ruby Keeler, star of the production,

releasing 5,000 balloons, 50 of which contained passes.

Besides Miss Keeler are shown H. M. Warner,

company head; Al Jolson (Miss Keeler‘s hubby), and S.

Charles Einfeld, Warner advertising chief.

(...) Photo, Motion Picture Herald, June 17, 1933

& In keeping with the Government request

to release for war work all male employees who can be

replaced by women Harold Edel, managing

director of the Strand Theatre, New York City, has instituted

the usherette at his house. There are eighteen

usherettes at the Strand trained with military discipline

and in command of a captain and two lieutenants.

Their uniforms are designed along the lines of the motor

corps uniforms.

(...) Photo, Moving Picture World, Oct. 19, 1918

& Chaplin as Official to Circus

      Charlie Chaplin and „The Circus“ have moved into the Strand,

where it will probably stay until the Ringling posters

bloom in the spring. It may affect their business, too, if they

can‘t better Chaplin‘s. There should be a Chaplin

overture written from the variety of laughs heard during

this picture, from children‘s squeals to fat men‘s

chuckles, and all the feminine trying-to-keep-some-dignity

ones. Merna Kennedy got some rough handling, but

if she thrives on it like Buster Keaton did she can be grateful.

She was not superstitious about being married in black,

and looked pretty in her white ballet costume, too.

(...) Variety, Jan. 18, 1928

& Chaplin Pays Gov. Income Taxes Due of $1,670,638

(...) Variety, Jan. 18, 1928

& Chaplin‘s Three. Starts „Nowhere“ in Month –

      „Napoleon,“ Then Tramp Story.

      Los Angeles, Jan. 17. Charles Chaplin will make

three pictures during the current year. Following

completion of „Nowhere,“ scheduled to go into production

within a month, he will write, direct and produce

„Napoleon,“ but will not appear in the picture. The third,

which probably will not be started before late fall,

will be a tramp story according to the comedian‘s present

plans. Myrna Kennedy, Chaplin‘s feminine

foil in „The Circus,“ has been retained for „Nowhere.“

(...) Variety, Jan. 18, 1928


„A world‘s record for a capacity of 2,900“

Editorial content. „Helen of Troy (...) with Roxy

      at $105,000 Last Wk.

      Chaplin‘s Circus, $81,200 at Strand, Claimed World‘s

      Record for Capacity and Scale“ (...)

      „With the annual auto shows on, and Ford instigating

free opposition to that display at Madison Square

Garden, the holiday aftermath wasn‘t as bad as it might have

been. Most of the houses held up smartly, although

some lost substantial ground.“ (...)

      „Baby Mine, which some of the daily reviewers classed

as funnier than Chaplin‘s Circus, had Clark and McCullough as presentation aid at the Capitol for $61,800. While that

figure is not remarkable, it‘s better than the house was doing

prior to the holidays. Lay opinion was divided on the film.

      Chaplin poured more money into the Stanley chalet

than that stop off point has ever seen. The gross

of $81,200 is nearly four times above what the house has been

turning in as a weekly average and is over the U. A.

comic‘s former record for The Gold Rush by about $6,000. Management claims a world‘s record for a capacity

of 2,900 playing to 35-50 matinees and 60-75 nights.“ (...)

      „Estimates for Last Week“ (...)

      „Strand – The Circus (U. A.) (2,900; 35-50-60-75) (2nd

week). Daily reviewers spent all week apologizing

in columns for having to admit Chaplin film okay; result was

plenty of publicity; special opening midnight, picture

and professional mob emerged saying „Great,“ and word

spread allover; $81,200 record for house over Gold

Rush; house looks for six big weeks; grinding nine daily

and eight on Sundays.“ (...)

      Strand Theatre, 1579 B‘way (at 47th St.), New York.

      The Circus is released by United

      Artists in New York January 6, 1928.


Redaktioneller Inhalt


 The Circus   1927   1928   1929   next   previous






www.fritzhirzel.com


Chaplins Schatten

Bericht einer Spurensicherung